taking toffee with your vicodin
Eleanor Friedberger - Last Summer

Written for NARC magazine, Novemebr 2011 issue.

Nine albums in and the brother/sister duo of Matt and Eleanor Friedberger known as The Fiery Furnaces have cemented their place in the landscape of indie-rock with a cult following often as odd and idiosyncratic as the music itself. Although their records have begun to flounder in recent years the one very obvious positive to take from them is the maturity and increased subtlety of Miss Friedberger’s vocals. So… time for a solo record then?

While The Fiery Furnaces sound is hard to pin down with its frequent shift changes and genre-spanning madness, ‘Last Summer’ is a completely different pursuit, making absolutely zero attempt to piggyback off the Furnaces fanbase. What Eleanor has crafted is an instantaneously ear-pleasing, quirky, indie-pop album. It’s got piano driven, catchy, sing-alongs (My Mistakes, I Won’t Fall Apart On You Tonight), mysterious, torpid tales (Inn Of The Seventh Ray, Scenes from Bensonhurst), handclapping-adorned, simplistic pop (Heaven, Early Earthquake) and tying them all together are the full, rich choruses that characterise the record.

Eleanor has firmly stamped her authority on what is a very strong first solo contribution, which is quietly brilliant and unfussy in approach. If you’ve never heard of this lady then now is the perfect time to educate yourself.

4/5

Wild Flag - s/t

Written for NARC magazine, October 2011 issue.

Dubbed a super-group and consisting of Sleater-Kinney founders Carrie Brownstein and Janet Weiss, along with Mary Timony (Lithium) and Rebecca Cole (The Minders), it’s fair to say Wild Flag have a lot of baggage to live up to. Since disbanding five years ago “Riot Grrrl” icons Sleater-Kinney left a heavily devoted fanbase still longing for more, this record is a reprieve for them above all else.

First single ‘Romance’ is an instant pleaser – interloping guitars: check, anthemic chorus: check, dual vocals: check – it’s like Sleater-Kinney never left and it isn’t half brilliant! The major difference is that this record is clearly just all about letting go and having some fun, rather than the heavy debate or issue tackling that these girls are most known for. Every song is an invite to put on your dancing shoes, whether it be the gleeful new wave of ‘Endless Talk’ or the tantalising guitar hooks and keyboard solos of ‘Future Crimes’.

The real success of Wild Flag lies in the chaotic nature of the tracks. Meandering here, taking a frenzied tangent there, galloping off in different directions to parts-unknown and yet still maintaining a sturdy backbone to every song, it’s mind-bogglingly impressive. Sterling stuff.

4/5

Peggy Sue - Acrobats

Written for NARC magazine, September 2011 issue.

Brighton three-piece indie-folk outfit Peggy Sue are back for their second album proper and have seen fit to largely ditch their acoustic guitars that have defined them in favour of picking up electronic ones instead.

The same tribal drums that focused their songs and gave them definition last time are still present, as too is the subtlety of the songwriting and it’s both of these that not only form a sturdy backbone to the record, but also help ensure their more acoustically minded fans won’t be alienated with this offering.

‘Cut My Teeth’ is a brash choice to open the record, firstly it’s by far and a way the longest track and secondly it couldn’t epitomise their new direction any stronger. Vocalist Katy Klaw admits to making it the opener in an attempt to clearly define what is to come. It’s a fantastic track that vocally is full of worries, wants and woe and is paired perfectly with disquiet and distressing guitar.

The rest of the record doesn’t quite meet the same high standard sadly, but the brooding vocals that adorn it are undoubtedly delightful and warrant interest and intrigue throughout. It’s fresh, yet familiar – a rare combo.

3/5

Viva Brother - Famous First Words

Written for NARC magazine, August 2011 issue.

NME-hyped Brother, now renamed Viva Brother following a legal dispute, to all intents and purposes are a carbon copy of Oasis. There really is very little to say about this record, if you listen to Oasis then you have a solid-grasp of what these guys are all about, there’s nothing more to it. This is not an homage, it is a recreation and a dispiriting one to say the least.

Viva Brother’s inevitable commercial success is a sad and sobering reminder that all it takes to make it big in British music is a longing for 1995, an alarming sense of self-entitlement and an attitude problem. There’s nothing wrong with a little Britpop revival but it needs something to keep it fresh and this album is as stale as they come.

Rather poignantly the closing track is entitled Time Machine and that really says it all. If this record is Viva Brother’s Famous First Words, then we can only hope they are also their last. But just in case you were still thinking of giving this record the time of day, I’ll leave you with this unfortunate quote from their press release, “Huge songs with personality to match.” – News Of The World.

0/5

She Keeps Bees - Dig On

Written for NARC magazine, July 2011 issue.

Brooklyn, NY home of She Keeps Bees, has been a nest for divergent, arty rock for a while now so I suppose it’s rather fitting that their last record was named Nests. However this blues-rock duo, although quirky in their own way, are much more of a throwback.

Obvious comparisons to The White Stripes have been drawn from some quarters in the past but it’s a lazy tag to slap on these guys, it’s doubtful there is much crossover in fanbases. She Keeps Bees are much more understated and sparse, though this latest offering Dig On is certainly their fullest sounding record to date. Recorded in a log home, they’ve roped in friends to help pad out the sound and it’s made a noticeable difference.

The major qualm one could have had with Nests was that it was too thin, a little meagre at times even. But with Dig On they’ve found a great balance, submitting a mix of their tried and tested stripped-back tracks and some much more loaded songs too. Standouts are the single ‘Vulture’ and the eerie ‘Sister Beware’ which healthily showcase both of these styles. Cat Power fans should find joy here with vocalist Jessica Larrabee’s delightful, brooding voice.

 

3.5/5

I’m easily distracted by colourful things that spin around. Summer has arrived.

I’m easily distracted by colourful things that spin around. Summer has arrived.

My Thoughts On The Royal Wedding

Well it’s only weeks away and in case you forgot for one minuscule second then don’t fret, because the television set is all too keen to remind you at every given opportunity and now you can apparently add this post to the list of bullshit that keeps reminding you about the trivial legal coalescence of a billionaire to a millionaire. Are you sensing a tone here yet? GOOD.

Now I’ve no objections - in theory at least - to a family of inbreds turning the corner and extending their gene pool for the first time since whenever the last illegitimate royal child was born. Fair play to them I say, in a way that’s sort of like - “well done, that’s some exceptional self-improvement on your part” and other sorts of bollocks you say to the likes of recovering drug-addicts whom are desperately trying to overturn a myriad of poor life choices. My main objection stems from the fact that this is costing the taxpayer an obscene amount of money, security alone will cost £20m for example.

Now considering part of the reason this wedding is happening is to provide a rosy-coloured smokescreen - designed to bamboozle the British public and help them forget that the government is still only 10% of the way through bending the middle class and the poor over backwards, while they get to work shoving various large objects in places they aren’t designed to go and seeing how long they can get away with it for, as if the entire nation were one giant game of buckaroo - I’d say that charging us for the privilege too really is the definition of taking ones eyes out, only to return for the sockets too at a later date.

Now I realise some of you are probably thinking that the royal wedding has no political connotations whatsoever and if you’re not then you’re at least thinking that politics is just one in a grand number of things that has led to this union of a balding horse to a failed size zero model. Well, those of you thinking the former, I say to you: get a grip you royalist, right-wing arsebarn at which point I’d promptly slap you upside the head. Those of you thinking the latter: good point. But frankly I don’t have a vested interest in whether the two of them love each other or not, do I?

To be honest this wedding just serves to shed a light on the bigger question: Are the royal family worth ‘it’? Theres a few arguments for the Royal family but the stupidest one I can think of is “but it’s our heritage/it’s tradition”. So fuck? Now I love tradition used within a pleasant context - for example I like Sunday lunch and I too love our heritage, I think it’s commendable for example that we go to great lengths to preserve landmarks, castles, old buildings and other such stuff, but the royal family? Puh-lease. Perhaps if we did away with the royal family we could use the money to….. oh I don’t know….. actually restore and preserve the hundreds of national heritage sites I only just eluded to that in fact fall further and further into disrepair every year. In fact let’s go one better: CUT THE ROYALS, SAVE PUBLIC SERVICES!

Yes! Why bloody not? We keep getting told: “Well we would love to abolish tuition fees entirely, but the money isn’t there! Look at the deficit.” and “Well we’d love to not be closing libraries, but the money isn’t there! Look at the deficit.” Ok, that’s actually fair enough reasoning but put alongside the hypocrisy that the royal family are taxpayer funded, that argument sure loses some credibility. Now I’m not trying to draw a false equivalency here, I realise that although the royal family costs the taxpayer a sizeable amount of cash, I’m sure it wouldn’t be enough to abolish tuition fees for example. Figures seem to suggest that the cost of the royals to each individual taxpayer is around 70p a year. But imagine if that 70p went toward saving libraries or towards lowering tuition fees, obviously it wouldn’t totally solve either of those problems but it sure would go a long way towards helping, wouldn’t it? All I’m saying is I am sure that you could think of a better cause to give your 70p to, maybe even a worthwhile charity.

As for anyone worried that we would lose out on tourism should we dissect the royal family from our nation, on what basis are you arguing that? Let’s be honest, Americans more than anyone else seem to be infatuated with our monarchy, now do you REALLY think if we abolished the monarchy they wouldn’t visit Britain? Of course they would still visit. Americans I love you, I really do, but when it comes to old shit you’ll buy into anything, no matter how lame it is. They come to see Buckingham Palace and the Tower Of London, not the Queen herself. We could keep those, turn them into heritage sites and charge folks for tours and such because it’s the history that is the ultimate charm here. The present is somewhat irrelevant, tourists will come to learn about the history and see old buildings, it’s not like we currently have the queen on display in some sort of mobile glass box for everyone visiting to see just like……… er, who is that guy again……. oh yeah….. the pope. And even if we did he wears a much sillier hat and a far more beautiful dress, we can’t compete with that.

The National - Exile Vilify
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They just outright refuse to have a song-writing blip of any sort…..

I need to see The National again soon #music #TheNational (Taken with instagram)

I need to see The National again soon #music #TheNational (Taken with instagram)

Pretteh sky (Taken with instagram)

Pretteh sky (Taken with instagram)